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Title: Marching Men

Author: Sherwood Anderson

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This eBook was provided by Juliet Sutherland 





MARCHING MEN

BY

SHERWOOD ANDERSON
Author of "Windy Mcpherson's Son"

MCMXVII



TO
AMERICAN WORKINGMEN




BOOK I



CHAPTER I


Uncle Charlie Wheeler stamped on the steps before Nance McGregor's
bake-shop on the Main Street of the town of Coal Creek Pennsylvania
and then went quickly inside. Something pleased him and as he stood
before the counter in the shop he laughed and whistled softly. With a
wink at the Reverend Minot Weeks who stood by the door leading to the
street, he tapped with his knuckles on the showcase.

"It has," he said, waving attention to the boy, who was making a mess
of the effort to arrange Uncle Charlie's loaf into a neat package, "a
pretty name. They call it Norman--Norman McGregor." Uncle Charlie
laughed heartily and again stamped upon the floor. Putting his finger
to his forehead to suggest deep thought, he turned to the minister. "I
am going to change all that," he said.

"Norman indeed! I shall give him a name that will stick! Norman! Too
soft, too soft and delicate for Coal Creek, eh? It shall be
rechristened. You and I will be Adam and Eve in the garden naming
things. We will call it Beaut--Our Beautiful One--Beaut McGregor."

The Reverend Minot Weeks also laughed. He thrust four ringers of each
hand into the pockets of his trousers, letting the extended thumbs lie
along the swelling waist line. From the front the thumbs looked like
two tiny boats on the horizon of a troubled sea. They bobbed and
jumped about on the rolling shaking paunch, appearing and disappearing
as laughter shook him. The Reverend Minot Weeks went out at the door
ahead of Uncle Charlie, still laughing. One fancied that he would go
along the street from store to store telling the tale of the
christening and laughing again. The tall boy could imagine the details
of the story.

It was an ill day for births in Coal Creek, even for the birth of one
of Uncle Charlie's inspirations. Snow lay piled along the sidewalks
and in the gutters of Main Street--black snow, sordid with the
gathered grime of human endeavour that went on day and night in the
bowels of the hills. Through the soiled snow walked miners, stumbling
along silently and with blackened faces. In their bare hands they
carried dinner pails.

The McGregor boy, tall and awkward, and with a towering nose, great
hippopotamus-like mouth and fiery red hair, followed Uncle Charlie,
Republican politician, postmaster and village wit to the door and
looked after him as with the loaf of bread under his arm he hurried
along the street. Behind the politician went the minister still
enjoying the scene in the bakery. He was preening himself on his
nearness to life in the mining town. "Did not Christ himself laugh,
eat and drink with publicans and sinners?" he thought, as he waddled
through the snow. The eyes of the McGregor boy, as they followed the
two departing figures, and later, as he stood in the door of the bake-
shop watching the struggling miners, glistened, with hatred. It was
the quality of intense hatred for his fellows in the black hole
between the Pennsylvania hills that marked the boy and made him stand
forth among his fellows.

In a country of so many varied climates and occupations as America it
is absurd to talk of an American type. The country is like a vast
disorganised undisciplined army, leaderless, uninspired, going in
route-step along the road to they know not what end. In the prairie
towns of the West and the river towns of the South from which have
come so many of our writing men, the citizens swagger through life.
Drunken old reprobates lie in the shade by the river's edge or wander
through the streets of a corn shipping village of a Saturday evening
with grins on their faces. Some touch of nature, a sweet undercurrent
of life, stays alive in them and is handed down to those who write of
them, and the most worthless man that walks the streets of an Ohio or
Iowa town may be the father of an epigram that colours all the life of
the men about him. In a mining town or deep in the entrails of one of
our cities life is different. There the disorder and aimlessness of
our American lives becomes a crime for which men pay heavily. Losing
step with one another, men lose also a sense of their own
individuality so that a thousand of them may be driven in a disorderly
mass in at the door of a Chicago factory morning after morning and
year after year with never an epigram from the lips of one of them.

In Coal Creek when men got drunk they staggered in silence through the
street. Did one of them, in a moment of stupid animal sportiveness,
execute a clumsy dance upon the barroom floor, his fellow--labourers
looked at him dumbly, or turning away left him to finish without
witnesses his clumsy hilarity.

Standing in the doorway and looking up and down the bleak village
street, some dim realisation of the disorganised ineffectiveness of
life as he knew it came into the mind of the McGregor boy. It seemed
to him right and natural that he should hate men. With a sneer on his
lips, he thought of Barney Butterlips, the town socialist, who was
forever talking of a day coming when men would march shoulder to
shoulder and life in Coal Creek, life everywhere, should cease being
aimless and become definite and full of meaning.

"They will never do that and who wants them to," mused the McGregor
boy. A blast of wind bearing snow beat upon him and he turned into the
shop and slammed the door behind him. Another thought stirred in his
head and brought a flush to his cheeks. He turned and stood in the
silence of the empty shop shaking with emotion. "If I could form the
men of this place into an army I would lead them to the mouth of the
old Shumway cut and push them in," he threatened, shaking his fist
toward the door. "I would stand aside and see the whole town struggle
and drown in the black water as untouched as though I watched the
drowning of a litter of dirty little kittens."

       *       *       *       *       *

The next morning when Beaut McGregor pushed his baker's cart along the
street and began climbing the hill toward the miners' cottages, he
went, not as Norman McGregor, the town baker boy, only product of the
loins of Cracked McGregor of Coal Creek, but as a personage, a being,
the object of an art. The name given him by Uncle Charlie Wheeler had
made him a marked man. He was as the hero of a popular romance,
galvanised into life and striding in the flesh before the people. Men
looked at him with new interest, inventorying anew the huge mouth and
nose and the flaming hair. The bartender, sweeping the snow from
before the door of the saloon, shouted at him. "Hey, Norman!" he
called. "Sweet Norman! Norman is too pretty a name. Beaut is the name
for you! Oh you Beaut!"

The tall boy pushed the cart silently along the street. Again he hated
Coal Creek. He hated the bakery and the bakery cart. With a burning
satisfying hate he hated Uncle Charlie Wheeler and the Reverend Minot
Weeks. "Fat old fools," he muttered as he shook the snow off his hat
and paused to breathe in the struggle up the hill. He had something
new to hate. He hated his own name. It did sound ridiculous. He had
thought before that there was something fancy and pretentious about
it. It did not fit a bakery cart boy. He wished it might have been
plain John or Jim or Fred. A quiver of irritation at his mother passed
through him. "She might have used more sense," he muttered.

And then the thought came to him that his father might have chosen the
name. That checked his flight toward universal hatred and he began
pushing the cart forward again, a more genial current of thought
running through his mind. The tall boy loved the memory of his father,
"Cracked McGregor." "They called him 'Cracked' until that became his
name," he thought. "Now they are at me." The thought renewed a feeling
of fellowship between himself and his dead father--it softened him.
When he reached the first of the bleak miners' houses a smile played
about the corners of his huge mouth.

In his day Cracked McGregor had not borne a good reputation in Coal
Creek. He was a tall silent man with something morose and dangerous
about him. He inspired fear born of hatred. In the mines he worked
silently and with fiery energy, hating his fellow miners among whom he
was thought to be "a bit off his head." They it was who named him
"Cracked" McGregor and they avoided him while subscribing to the
common opinion that he was the best miner in the district. Like his
fellow workers he occasionally got drunk. When he went into the saloon
where other men stood in groups buying drinks for each other he bought
only for himself. Once a stranger, a fat man who sold liquor for a
wholesale house, approached and slapped him on the back. "Come, cheer
up and have a drink with me," he said. Cracked McGregor turned and
knocked the stranger to the floor. When the fat man was down he kicked
him and glared at the crowd in the room. Then he walked slowly out at
the door staring around and hoping some one would interfere.

In his house also Cracked McGregor was silent. When he spoke at all he
spoke kindly and looked into the eyes of his wife with an eager
expectant air. To his red-haired son he seemed to be forever pouring
forth a kind of dumb affection. Taking the boy in his arms he sat for
hours rocking back and forth and saying nothing. When the boy was ill
or troubled by strange dreams at night the feel of his father's arms
about him quieted him. In his arms the boy went to sleep happily. In
the mind of the father there was a single recurring thought, "We have
but the one bairn, we'll not put him into the hole in the ground," he
said, looking eagerly to the mother for approval.

Twice had Cracked McGregor walked with his son on a Sunday afternoon.
Taking the lad by the hand the miner went up the face of the hill,
past the last of the miners' houses, through the grove of pine trees
at the summit and on over the hill into sight of a wide valley on the
farther side. When he walked he twisted his head far to one side like
one listening. A falling timber in the mines had given him a deformed
shoulder and left a great scar on his face, partly covered by a red
beard filled with coal dust. The blow that had deformed his shoulder
had clouded his mind. He muttered as he walked along the road and
talked to himself like an old man.

The red-haired boy ran beside his father happily. He did not see the
smiles on the faces of the miners, who came down the hill and stopped
to look at the odd pair. The miners went on down the road to sit in
front of the stores on Main Street, their day brightened by the memory
of the hurrying McGregors. They had a remark they tossed about. "Nance
McGregor should not have looked at her man when she conceived," they
said.

Up the face of the hill climbed the McGregors. In the mind of the boy
a thousand questions wanted answering. Looking at the silent gloomy
face of his father, he choked back the questions rising in his throat,
saving them for the quiet hour with his mother when Cracked McGregor
was gone to the mine. He wanted to know of the boyhood of his father,
of the life in the mine, of the birds that flew overhead and why they
wheeled and flew in great ovals in the sky. He looked at the fallen
trees in the woods and wondered what made them fall and whether the
others would presently fall in their turn.

Over the hill went the silent pair and through the pinewood to an
eminence half way down the farther side. When the boy saw the valley
lying so green and broad and fruitful at their feet he thought it the
most wonderful sight in the world. He was not surprised that his
father had brought him there. Sitting on the ground he opened and
closed his eyes, his soul stirred by the beauty of the scene that lay
before them.

On the hillside Cracked McGregor went through a kind of ceremony.
Sitting upon a log he made a telescope of his hands and looked over
the valley inch by inch like one seeking something lost. For ten
minutes he would look intently at a clump of trees or a spot in the
river running through the valley where it broadened and where the
water roughened by the wind glistened in the sun. A smile lurked in
the corners of his mouth, he rubbed his hands together, he muttered
incoherent words and bits of sentences, once he broke forth into a low
droning song.

On the first morning, when the boy sat on the hillside with his
father, it was spring and the land was vividly green. Lambs played in
the fields; birds sang their mating songs; in the air, on the earth
and in the water of the flowing river it was a time of new life.
Below, the flat valley of green fields was patched and spotted with
brown new-turned earth. The cattle walking with bowed heads, eating
the sweet grass, the farmhouses with red barns, the pungent smell of
the new ground, fired his mind and awoke the sleeping sense of beauty
in the boy. He sat upon the log drunk with happiness that the world in
which he lived could be so beautiful. In his bed at night he dreamed
of the valley, confounding it with the old Bible tale of the Garden of
Eden, told him by his mother. He dreamed that he and his mother went
over the hill and down toward the valley but that his father, wearing
a long white robe and with his red hair blowing in the wind, stood
upon the hillside swinging a long sword blazing with fire and drove
them back.

When the boy went again over the hill it was October and a cold wind
blew down the hill into his face. In the woods golden brown leaves ran
about like frightened little animals and golden-brown were the leaves
on the trees about the farmhouses and golden-brown the corn standing
shocked in the fields. The scene saddened the boy. A lump came into
his throat and he wanted back the green shining beauty of the spring.
He wished to hear the birds singing in the air and in the grass on the
hillside.

Cracked McGregor was in another mood. He seemed more satisfied than on
the first visit and ran up and down on the little eminence rubbing his
hands together and on the legs of his trousers. Through the long
afternoon he sat on the log muttering and smiling.

On the road home through the darkened woods the restless hurrying
leaves frightened the boy so that, with his weariness from walking
against the wind, his hunger from being all day without food, and with
the cold nipping at his body, he began to cry. The father took the boy
in his arms and holding him across his breast like a babe went down
the hill to their home.

It was on a Tuesday morning that Cracked McGregor died. His death
fixed itself as something fine in the mind of the boy and the scene
and the circumstance stayed with him through life, filling him with
secret pride like a knowledge of good blood. "It means something that
I am the son of such a man," he thought.

It was past ten in the morning when the cry of "Fire in the mine" ran
up the hill to the houses of the miners. A panic seized the women. In
their minds they saw the men hurrying down old cuts, crouching in
hidden corridors, pursued by death. Cracked McGregor, one of the night
shift, slept in his house. The boy's mother, threw a shawl about her
head, took his hand and ran down the hill to the mouth of the mine.
Cold winds spitting snow blew in their faces. They ran along the
tracks of the railroad, stumbling over the ties, and stood on the
railroad embankment that overlooked the runway to the mine.

About the runway and along the embankment stood the silent miners,
their hands in their trousers pockets, staring stolidly at the closed
door of the mine. Among them was no impulse toward concerted action.
Like animals at the door of a slaughter-house they stood as though
waiting their turn to be driven in at the door. An old crone with bent
back and a huge stick in her hand went from one to another of the
miners gesticulating and talking. "Get my boy--my Steve! Get him out
of there!" she shouted, waving the stick about.

The door of the mine opened and three men came out, staggering as they
pushed before them a small car that ran upon rails. On the car lay
three other men, silent and motionless. A woman thinly clad and with
great cave-like hollows in her face climbed the embankment and sat
upon the ground below the boy and his mother. "The fire is in the old
McCrary cut," she said, her voice quivering, a dumb hopeless look in
her eyes. "They can't get through to close the doors. My man Ike is in
there." She put down her head and sat weeping. The boy knew the woman.
She was a neighbour who lived in an unpainted house on the hillside.
In the yard in front of her house a swarm of children played among the
stones. Her husband, a great hulking fellow, got drunk and when he
came home kicked his wife. The boy had heard her screaming at night.

Suddenly in the growing crowd of miners below the embankment Beaut
McGregor saw his father moving restlessly about. On his head he had
his cap with the miner's lamp lighted. He went from group to group
among the people, his head hanging to one side. The boy looked at him
intently. He was reminded of the October day on the eminence
overlooking the fruitful valley and again he thought of his father as
a man inspired, going through a kind of ceremony. The tall miner
rubbed his hands up and down his legs, he peered into the faces of the
silent men standing about, his lips moved and his red beard danced up
and down.

As the boy looked a change came over the face of Cracked McGregor. He
ran to the foot of the embankment and looked up. In his eyes was the
look of a perplexed animal. The wife bent down and began to talk to
the weeping woman on the ground, trying to comfort her. She did not
see her husband and the boy and man stood in silence looking into each
other's eyes.

Then the puzzled look went out of the father's face. He turned and
running along with his head rolling about reached the closed door of
the mine. A man, who wore a white collar and had a cigar stuck in the
corner of his mouth, put out his hand.

"Stop! Wait!" he shouted. Pushing the man aside with his powerful arm
the runner pulled open the door of the mine and disappeared down the
runway.

A hubbub arose. The man in the white collar took the cigar from his
mouth and began to swear violently. The boy stood on the embankment
and saw his mother running toward the runway of the mine. A miner
gripped her by the arm and led her back up the face of the embankment.
In the crowd a woman's voice shouted, "It's Cracked McGregor gone to
close the door to the McCrary cut."

The man with the white collar glared about as he chewed the end of his
cigar. "He's gone crazy," he shouted, again closing the door to the
mine.

Cracked McGregor died in the mine, almost within reach of the door to
the old cut where the fire burned. With him died all but five of the
imprisoned miners. All day parties of men tried to get down into the
mine. Below in the hidden passages under their own homes the scurrying
miners died like rats in a burning barn while their wives, with shawls
over their heads, sat silently weeping on the railroad embankment. In
the evening the boy and his mother went up the hill alone. From the
houses scattered over the hill came the sound of women weeping.

       *       *       *       *       *

For several years after the mine disaster the McGregors, mother and
son, lived in the house on the hillside. The woman went each morning
to the offices of the mine where she washed windows and scrubbed
floors. The position was a sort of recognition on the part of the mine
officials of the heroism of Cracked McGregor.

Nance McGregor was a small blue-eyed woman with a sharp nose. She wore
glasses and had the name in Coal Creek of being quick and sharp. She
did not stand by the fence to talk with the wives of other miners but
sat in her house and sewed or read aloud to her son. She subscribed
for a magazine and had bound copies of it standing upon shelves in the
room where she and the boy ate breakfast in the early morning. Before
the death of her husband she had maintained a habit of silence in her
house but after his death she expanded, and, with her red-haired son,
discussed freely every phase of their narrow lives. As he grew older
the boy began to believe that she like the miners had kept hidden
under her silence a secret fear of his father. Certain things she said
of her life encouraged the thought.

Norman McGregor grew into a tall broad-shouldered boy with strong
arms, flaming red hair and a habit of sudden and violent fits of
temper. There was something about him that held the attention. As he
grew older and was renamed by Uncle Charlie Wheeler he began going
about looking for trouble. When the boys called him "Beaut" he knocked
them down. When men shouted the name after him on the street he
followed them with black looks. It became a point of honour with him
to resent the name. He connected it with the town's unfairness to
Cracked McGregor.

In the house on the hillside the boy and his mother lived together
happily. In the early morning they went down the hill and across the
tracks to the offices of the mine. From the offices the boy went up
the hill on the farther side of the valley and sat upon the
schoolhouse steps or wandered in the streets waiting for the day in
school to begin. In the evening mother and son sat upon the steps at
the front of their home and watched the glare of the coke ovens on the
sky and the lights of the swiftly-running passenger trains, roaring
whistling and disappearing into the night.

Nance McGregor talked to her son of the big world outside the valley
and told him of the cities, the seas and the strange lands and peoples
beyond the seas. "We have dug in the ground like rats," she said, "I
and my people and your father and his people. With you it will be
different. You will get out of here to other places and other work."
She grew indignant thinking of the life in the town. "We are stuck
down here amid dirt, living in it, breathing it," she complained.
"Sixty men died in that hole in the ground and then the mine started
again with new men. We stay here year after year digging coal to burn
in engines that take other people across the seas and into the West."

When the son was a tall strong boy of fourteen Nance McGregor bought
the bakery and to buy it took the money saved by Cracked McGregor.
With it he had planned to buy a farm in the valley beyond the hill.
Dollar by dollar it had been put away by the miner who dreamed of life
in his own fields.

In the bakery the boy worked and learned to make bread. Kneading the
dough his arms and hands grew as strong as a bear's. He hated the
work, he hated Coal Creek and dreamed of life in the city and of the
part he should play there. Among the young men he began to make here
and there a friend. Like his father he attracted attention. Women
looked at him, laughed at his big frame and strong homely features and
looked again. When they spoke to him in the bakery or on the street he
spoke back fearlessly and looked them in the eyes. Young girls in the
school walked home down the hill with other boys and at night dreamed
of Beaut McGregor. When some one spoke ill of him they answered
defending and praising him. Like his father he was a marked man in the
town of Coal Creek.




CHAPTER II


One Sunday afternoon three boys sat on a log on the side of the hill
that looked down into Coal Creek. From where they sat they could see
the workers of the night shift idling in the sun on Main Street. From
the coke ovens a thin line of smoke rose into the sky. A freight train
heavily loaded crept round the hill at the end of the valley. It was
spring and over even that hive of black industry hung a faint promise
of beauty. The boys talked of the life of people in their town and as
they talked thought each of himself.

Although he had not been out of the valley and had grown strong and
big there, Beaut McGregor knew something of the outside world. It
isn't a time when men are shut off from their fellows. Newspapers and
magazines have done their work too well. They reached even into the
miner's cabin and the merchants along Main Street of Coal Creek stood
before their stores in the afternoon and talked of the doings of the
world. Beaut McGregor knew that life in his town was exceptional, that
not everywhere did men toil all day black and grimy underground, that
not all women were pale bloodless and bent. As he went about
delivering bread he whistled a song. "Take me back to Broadway," he
sang after the soubrette in a show that had once come to Coal Creek.

Now as he sat on the hillside he talked earnestly while he
gesticulated with his hands. "I hate this town," he said. "The men
here think they are confoundedly funny. They don't care for anything
but making foolish jokes and getting drunk. I want to go away." His
voice rose and hatred flamed up in him. "You wait," he boasted. "I'll
make men stop being fools. I'll make children of them. I'll----"
Pausing he looked at his two companions.

Beaut poked the ground with a stick. The boy sitting beside him
laughed. He was a short well--dressed black--haired boy with rings on
his fingers who worked in the town poolroom, racking the pool balls.
"I'd like to go where there are women with blood in them," he said.

Three women came up the hill toward them, a tall pale brown-haired
woman of twenty-seven and two fairer young girls. The black-haired boy
straightened his tie and began thinking of a conversation he would
start when the women reached him. Beaut and the other boy, a fat
fellow, the son of a grocer, looked down the hill to the town over the
heads of the newcomers and continued in their minds the thoughts that
had made the conversation.

"Hello girls, come and sit here," shouted the black-haired boy,
laughing and looking boldly into the eyes of the tall pale woman. They
stopped and the tall woman began stepping over the fallen logs, coming
to them. The two young girls followed, laughing. They sat down on the
log beside the boys, the tall pale woman at the end beside red-haired
McGregor. An embarrassed silence fell over the party. Both Beaut and
the fat boy were disconcerted by this turn to their afternoon's outing
and wondered how it would turn out.

The pale woman began to talk in a low tone. "I want to get away from
here," she said, "I wish I could hear birds sing and see green things
grow."

Beaut McGregor had an idea. "You come with me," he said. He got up and
climbed over the logs and the pale woman followed. The fat boy shouted
at them, relieving his own embarrassment by trying to embarrass them.
"Where're you going--you two?" he shouted.

Beaut said nothing. He stepped over the logs to the road and began
climbing the hill. The tall woman walked beside him and held her
skirts out of the deep dust of the road. Even on this her Sunday gown
there was a faint black mark along the seams--the mark of Coal Creek.

As McGregor walked his embarrassment left him. He thought it fine that
he should be thus alone with a woman. When she had tired from the
climb he sat with her on a log beside the road and talked of the
black-haired boy. "He has your ring on his finger," he said, looking
at her and laughing.

She held her hand pressed tightly against her side and closed her
eyes. "The climbing hurts me," she said.

Tenderness took hold of Beaut. When they went on again he walked
behind her, his hand upon her back pushing her up the hill. The desire
to tease her about the black-haired boy had passed and he wished he
had said nothing about the ring. He remembered the story the black-
haired boy had told him of his conquest of the woman. "More than
likely a mess of lies," he thought.

Over the crest of the hill they stopped and rested, leaning against a
worn rail fence by the woods. Below them in a wagon a party of men
went down the hill. The men sat upon boards laid across the box of a
wagon and sang a song. One of them stood in the seat beside the driver
and waved a bottle. He seemed to be making a speech. The others
shouted and clapped their hands. The sounds came faint and sharp up
the hill.

In the woods beside the fence rank grass grew. Hawks floated in the
sky over the valley below. A squirrel running along the fence stopped
and chattered at them. McGregor thought he had never had so delightful
a companion. He got a feeling of complete, good fellowship and
friendliness with this woman. Without knowing how the thing had been
done he felt a certain pride in it. "Don't mind what I said about the
ring," he urged, "I was only trying to tease you."

The woman beside McGregor was the daughter of an undertaker who lived
upstairs over his shop near the bakery. He had seen her in the evening
standing in the stairway by the shop door. After the story told him by
the black-haired boy he had been embarrassed about her. When he passed
her standing in the stairway he went hurriedly along and looked into
the gutter.

They went down the hill and sat on the log upon the hillside. A clump
of elders had grown about the log since his visits there with Cracked
McGregor so that the place was closed and shaded like a room. The
woman took off her hat and laid it beside her on the log. A faint
colour mounted to her pale cheeks and a flash of anger gleamed in her
eyes. "He probably lied to you about me," she said, "I didn't give him
that ring to wear. I don't know why I gave it to him. He wanted it. He
asked me for it time and again. He said he wanted to show it to his
mother. And now he has shown it to you and I suppose told lies about
me."

Beaut was annoyed and wished he had not mentioned the ring. He felt
that an unnecessary fuss was being made about it. He did not believe
that the black-haired boy had lied but he did not think it mattered.

He began talking of his father, boasting of him. His hatred of the
town blazed up. "They thought they knew him down there," he said,
"they laughed at him and called him 'Cracked.' They thought his
running into the mine just a crazy notion like a horse that runs into
a burning stable. He was the best man in town. He was braver than any
of them. He went in there and died when he had almost enough money
saved to buy a farm over here." He pointed down the valley.

Beaut began to tell her of the visits to the hillside with his father
and described the effect of the scene on himself when he was a child.
"I thought it was paradise," he said.

She put her hand on his arm and seemed to be soothing him like a
careful groom quieting an excitable horse. "Don't mind them," she
said, "you will go away after a time and make a place for yourself out
in the world."

He wondered how she knew. A profound respect for her came over him.
"She is keen to guess that," he thought.

He began to talk of himself, boasting and throwing out his chest. "I'd
like to have the chance to show what I can do," he declared. A thought
that had been in his mind on the winter day when Uncle Charlie Wheeler
put the name of Beaut upon him came back and he walked up and down
before the woman making grotesque motions with his hands as Cracked
McGregor had walked up and down before him.

"I'll tell you what," he began and his voice was harsh. He had
forgotten the presence of the woman and half forgotten what had been
in his mind. He sputtered and glared over his shoulder up the hillside
as he struggled for words. "Oh to Hell with men!" he burst forth.
"They are cattle, stupid cattle." A fire blazed up in his eyes and a
confident ring came into his voice. "I'd like to get them together,
all of them," he said, "I'd like to make them----" Words failed him
and again he sat down on the log beside the woman. "Well I'd like to
lead them to an old mine shaft and push them in," he concluded
resentfully.

       *       *       *       *       *

On the eminence Beaut and the tall woman sat and looked down into the
valley. "I wonder why we don't go there, mother and I," he said. "When
I see it I'm filled with the notion. I think I want to be a farmer and
work in the fields. Instead of that mother and I sit and plan of the
city. I'm going to be a lawyer. That's all we talk about. Then I come
up here and it seems as though this is the place for me."

The tall woman laughed. "I can see you coming home at night from the
fields," she said. "It might be to that white house there with the
windmill, You would be a big man and would have dust in your red hair
and perhaps a red beard growing on your chin. And a woman with a baby
in her arms would come out of the kitchen door to stand leaning on the
fence waiting for you. When you came up she would put her arm around
your neck and kiss you on the lips. The beard would tickle her cheek.
You should have a beard when you grow older. Your mouth is so big."

A strange new feeling shot through Beaut. He wondered why she had said
that and wanted to take hold of her hand and kiss her then and there.
He got up and looked at the sun going down behind the hill far away at
the other end of the valley. "We'd better be getting along back," he
said.

The woman remained seated on the log. "Sit down," she said, "I'll tell
you something--something it's good for you to hear. You're so big and
red you tempt a girl to bother you. First though you tell me why you
go along the street looking into the gutter when I stand in the
stairway in the evening."

Beaut sat down again upon the log, and thought of what the black-
haired boy had told him of her. "Then it was true--what he said about
you?" he asked.

"No! No!" she cried, jumping up in her turn and beginning to pin on
her hat. "Let's be going."

Beaut sat stolidly on the log. "What's the use bothering each other,"
he said. "Let's sit here until the sun goes down. We can get home
before dark."

They sat down and she began talking, boasting of herself as he had
boasted of his father.

"I'm too old for that boy," she said; "I'm older than you by a good
many years. I know what boys talk about and what they say about women.
I do pretty well. I don't have any one to talk to except father and he
sits all evening reading a paper and going to sleep in his chair. If I
let boys come and sit with me in the evening or stand talking with me
in the stairway it is because I'm lonesome. There isn't a man in town
I'd marry--not one."

The speech sounded discordant and harsh to Beaut. He wished his father
were there rubbing his hands together and muttering rather than this
pale woman who stirred him up and then talked harshly like the women
at the back doors in Coal Creek. He thought again as he had thought
before that he preferred the black-faced miners drunk and silent to
their pale talking wives. On an impulse he told her that, saying it
crudely so that it hurt.

Their companionship was spoiled. They got up and began to climb the
hill, going toward home. Again she put her hand to her side and again
he wished to put his hand at her back and push her up the hill.
Instead he walked beside her in silence, again hating the town.

Halfway down the hill the tall woman stopped by the road-side.
Darkness was coming on and the glow of the coke ovens lighted the sky.
"One living up here and never going down there might think it rather
grand and big," he said. Again the hatred came. "They might think the
men who live down there knew something instead of being just a lot of
cattle."

A smile came into the face of the tall woman and a gentler look stole
into her eyes. "We get at one another," she said, "we can't let one
another alone. I wish we hadn't quarrelled. We might be friends if we
tried. You have got something in you. You attract women. I've heard
others say that. Your father was that way. Most of the women here
would rather have been the wife of Cracked McGregor ugly as he was
than to have stayed with their own husbands. I heard my mother say
that to father when they lay quarrelling in bed at night and I lay
listening."

The boy was overcome with the thought of a woman talking to him so
frankly. He looked at her and said what was in his mind. "I don't like
the women," he said, "but I liked you, seeing you standing in the
stairway and thinking you had been doing as you pleased. I thought
maybe you amounted to something. I don't know why you should be
bothered by what I think. I don't know why any woman should be
bothered by what any man thinks. I should think you would go right on
doing what you want to do like mother and me about my being a lawyer."

He sat on a log beside the road near where he had met her and watched
her go down the hill. "I'm quite a fellow to have talked to her all
afternoon like that," he thought and pride in his growing manhood
crept over him.




CHAPTER III


The town of Coal Creek was hideous. People from prosperous towns and
cities of the middle west, from Ohio, Illinois, and Iowa, going east
to New York or Philadelphia, looked out of the car windows and seeing
the poor little houses scattered along the hillside thought of books
they had read of life in hovels in the old world. In chair-cars men
and women leaned back and closed their eyes. They yawned and wished
the journey would come to an end. If they thought of the town at all
they regretted it mildly and passed it off as a necessity of modern
life.

The houses on the hillside and the stores along Main Street belonged
to the mining company. In its turn the mining company belonged to the
officials of the railroad. The manager of the mine had a brother who
was division superintendent. It was the mine manager who had stood by
the door of the mine when Cracked McGregor went to his death. He lived
in a city some thirty miles away, and went there in the evening on the
train. With him went the clerks and even the stenographers from the
offices of the mine. After five o'clock in the afternoon no white
collars were to be seen upon the streets of Coal Creek.

In the town men lived like brutes. Dumb with toil they drank greedily
in the saloon on Main Street and went home to beat their wives. Among
them a constant low muttering went on. They felt the injustice of
their lot but could not voice it logically and when they thought of
the men who owned the mine they swore dumbly, using vile oaths even in
their thoughts. Occasionally a strike broke out and Barney Butterlips,
a thin little man with a cork leg, stood on a box and made speeches
regarding the coming brotherhood of man. Once a troop of cavalry was
unloaded from the cars and with a battery paraded the main street. The
battery was made up of several men in brown uniforms. They set up a
Gatling gun at the end of the street and the strike subsided.

An Italian who lived in a house on the hillside cultivated a garden.
His place was the one beauty spot in the valley. With a wheelbarrow he
brought earth from the woods at the top of the hill and on Sunday he
could be seen going back and forth and whistling merrily. In the
winter he sat in his house making a drawing on a bit of paper. In the
spring he took the drawing, and by it planted his garden, utilising
every inch of his ground. When a strike came on he was told by the
mine manager to go on back to work or move out of his house. He
thought of the garden and the work he had done and went back to his
routine of work in the mine. While he worked the miners marched up the
hill and destroyed the garden. The next day the Italian also joined
the striking miners.

In a little one-room shack on the hill lived an old woman. She lived
alone and was vilely dirty. In her house she had old broken chairs and
tables picked up about town and piled in such profusion that she could
scarcely move about. On warm days she sat in the sun before the shack
chewing on a stick that had been dipped in tobacco. Miners coming up
the hill dumped bits of bread and meat-ends out of their dinner-pails
into a box nailed to a tree by the road. These the old woman collected
and ate. When the soldiers came to town she walked along the street
jeering at them. "Pretty boys! Scabs! Dudes! Dry-goods clerks!" she
called after them as she walked by the tails of their horses. A young
man with glasses on his nose, who was mounted on a grey horse turned
and called to his comrades, "Let her alone--it's old Mother Misery
herself."

When the tall red-haired boy looked at the workers and at the old
woman who followed the soldiers he did not sympathise with them. He
hated them. In a way he sympathised with the soldiers. His blood was
stirred by the sight of them marching shoulder to shoulder. He thought
there was order and decency in the rank of uniformed men moving
silently and quickly along and he half wished they would destroy the
town. When the strikers made a wreck of the garden of the Italian he
was deeply touched and walked up and down in the room before his
mother, proclaiming himself. "I would have killed them had it been my
garden," he said. "I would not have left one of them alive." In his
heart he like Cracked McGregor nursed his hatred of the miners and of
the town. "The place is one to get out of," he said. "If a man doesn't
like it here let him get up and leave." He remembered his father
working and saving for the farm in the valley. "They thought him
cracked but he knew more than they. They would not have dared touch a
garden he had planted."

In the heart of the miner's son strange half-formed thoughts began to
find lodgings. Remembering in his dreams at night the moving columns
of men in their uniforms he read new meaning into the scraps of
history picked up in the school and the movements of men in old
history began to have significance for him. On a summer afternoon as
he loitered before the town's hotel, beneath which was the saloon and
billiard room where the black-haired boy worked, he overheard two men
talking of the significance of men.

One of the men was an itinerant oculist who came to the mining town
once a month to fit and sell spectacles. When the oculist had sold
several pairs of spectacles he got drunk, sometimes staying drunk for
a week. When he was drunk he spoke French and Italian and sometimes
stood in the barroom before the miners, quoting the poems of Dante.
His clothes were greasy from long wear and he had a huge nose streaked
with red and purple veins. Because of his learning in the languages
and his quoting of poems the miners thought the oculist infinitely
wise. To them it seemed that one with such a mind must have almost
unearthly knowledge concerning the eyes and the fitting of glasses and
they wore with pride the cheap ill-fitting things he thrust upon them.

Occasionally, as though making a concession to his patrons, the
oculist spent an evening among them. Once after reciting one of the
sonnets of Shakespeare he put a hand on the bar and rocking gently
back and forth sang in a drink-broken voice a ballad beginning "The
harp that once through Tara's halls the soul of music shed." After the
song he put his head down upon the bar and wept while the miners
looked on touched with sympathy.

On the summer afternoon when Beaut McGregor listened, the oculist was
engaged in a violent quarrel with another man, drunk like himself. The
second man was a slender dandified fellow of middle age who sold shoes
for a Philadelphia jobbing-house. He sat in a chair tilted against the
hotel and tried to read aloud from a book. When he was fairly launched
in a long paragraph the oculist interrupted. Staggering up and down
the narrow board walk before the hotel the old drunkard raved and
swore. He seemed beside himself with wrath.

"I am sick of such slobbering philosophy," he declared. "Even the
reading of it makes you drool at the mouth. You do not say the words
sharply, and they can't be said sharply. I'm a strong man myself."

Spreading his legs wide apart and blowing up his cheeks, the oculist
beat upon his breast. With a wave of his hand he dismissed the man in
the chair.

"You but slobber and make a foul noise," he declared. "I know your
kind. I spit upon you. The Congress at Washington is full of such
fellows as is also the House of Commons in England. In France they
were once in charge. They ran things in France until the coming of a
man such as myself. They were lost in the shadow of the great
Napoleon."

The oculist as though dismissing the dandified man from his mind
turned to address Beaut. He talked in French and the man in the chair
fell into a troubled sleep. "I am like Napoleon," the drunkard
declared, breaking again into English. Tears began to show in his
eyes. "I take the money of these miners and I give them nothing. The
spectacles I sell to their wives for five dollars cost me but fifteen
cents. I ride over these brutes as Napoleon rode over Europe. There
would be order and purpose in me were I not a fool. I am like Napoleon
in that I have utter contempt for men."

       *       *       *       *       *

Again and again the words of the drunkard came back into the mind of
the McGregor boy influencing his thoughts. Grasping nothing of the
philosophy back of the man's words his imagination was yet touched by
the drunkard's tale of the great Frenchman, babbled into his ears, and
it in some way seemed to give point to his hatred of the disorganised
ineffectiveness of the life about him.

       *       *       *       *       *

After Nance McGregor opened the bakery another strike came to disturb
the prosperity of the business. Again the miners walked idly through
the streets. Into the bakery they came to get bread and told Nance to
write the debt down against them. Beaut McGregor was disturbed. He saw
his father's money being spent for flour which when baked into loaves
went out of the shop under the arms of the miners who shuffled as they
walked. One night a man whose name appeared on their books followed by
a long record of charged loaves came reeling past the bakery. McGregor
went to his mother and protested. "They have money to get drunk," he
said, "let them pay for their loaves."

Nance McGregor went on trusting the miners. She thought of the women
and children in the houses on the hill and when she heard of the plans
of the mining company to evict the miners from their houses she
shuddered. "I was the wife of a miner and I will stick to them," she
thought.

One day the mine manager came into the bakery. He leaned over the
showcase and talked to Nance. The son went and stood by his mother's
side to listen. "It has got to be stopped," the manager was saying. "I
will not see you ruin yourself for these cattle. I want you to close
this place till the strike is over. If you won't close it I will. The
building belongs to us. They did not appreciate what your husband did
and why should you ruin yourself for them?"

The woman looked at him and answered in a low tone full of resolution.
"They thought he was crazy and he was," she said; "but what made him
so--the rotten timbers in the mine that broke and crushed him. You and
not they are responsible for my man and what he was."

Beaut McGregor interrupted. "Well I think he is right," he declared,
leaning over the counter beside his mother and looking into her face.
"The miners don't want better things for their families, they want
more money to get drunk. We will close the doors here. We will put no
more money into bread to go into their gullets. They hated father and
he hated them and now I hate them also."

Beaut walked around the end of the counter and went with the mine
manager to the door. He locked it and put the key into his pocket.
Then he walked to the rear of the bake shop where his mother sat on a
box weeping. "It is time a man took charge here," he said.

Nance McGregor and her son sat in the bakery and looked at each other.
Miners came along the street, tried the door and went away grumbling.
Word ran from lip to lip up the hillside. "The mine manager has closed
Nance McGregor's shop," said the women leaning over back fences.
Children sprawling on the floors of the houses put up their heads and
howled. Their lives were a succession of new terrors. When a day
passed that a new terror did not shake them they went to bed happy.
When the miner and his woman stood by the door talking in low tones
they cried, expecting to be put to bed hungry. When guarded talk did
not go on by the door the miner came home drunk and beat the mother
and the children lay in beds along the wall trembling with fright.

Late that night a party of miners came to the door of the bakery and
beat upon it with their fists. "Open up here!" they shouted. Beaut
came out of the rooms above the bakery and stood in the empty shop.
His mother sat in a chair in her room and trembled. He went to the
door and unlocking it stepped out. The miners stood in groups on the
wooden sidewalk and in the mud of the road. Among them stood the old
crone who had walked beside the horses and shouted at the soldiers. A
miner with a black beard came and stood before the boy. Waving his
hand at the crowd he said, "We have come to open the bakery. Some of
us have no ovens in our stoves. You give us the key and we will open
the place. We will break in the door if you don't want to do that. The
company can't blame you if we do it by force. You can keep account of
what we take. Then when the strike is settled we will pay you."

A flame shot into the eyes of the boy. He walked down the steps and
stood among the miners. Thrusting his hands into his pockets he peered
into their faces. When he spoke his voice resounded through the
street, "You jeered at my father, Cracked McGregor, when he went into
the mine for you. You laughed at him because he saved his money and
did not spend it buying you drinks. Now you come here to get bread his
money bought and you do not pay. Then you get drunk and go reeling
past this very door. Now let me tell you something." He thrust his
hands into the air and shouted. "The mine manager did not close this
place. I closed it. You jeered at Cracked McGregor, a better man than
any of you. You have had fun with me--laughing at me. Now I jeer at
you." He ran up the steps and unlocking the door stood in the doorway.
"Pay the money you owe this bakery and there will be bread for sale
here," he called, and went in and locked the door.

The miners walked off up the street. The boy stood within the bakery,
his hands trembling. "I've told them something," he thought, "I've
shown them they can't make a fool of me." He went up the stairway to
the rooms above. By the window his mother sat, her head in her hands,
looking down into the street. He sat in a chair and thought of the
situation. "They will be back here and smash the place like they tore
up that garden," he said.

The next evening Beaut sat in the darkness on the steps before the
bakery. In his hands he held a hammer. A dull hatred of the town and
of the miners burned in his brain. "I will make it hot for some of
them if they come here," he thought. He hoped they would come. As he
looked at the hammer in his hand a phrase from the lips of the drunken
old oculist babbling of Napoleon came into his mind. He began to think
that he also must be like the figure of which the drunkard had talked.
He remembered a story the oculist had told of a fight in the streets
of a European city and muttered and waved the hammer about. Upstairs
his mother sat by the window with her head in her hands. From the
saloon down the street a light gleamed out on the wet sidewalk. The
tall pale woman who had gone with him to the eminence overlooking the
valley came down the stairway from above the undertaker's shop. She
ran along the sidewalk. On her head she wore a shawl and as she ran
she clutched it with her hand. The other hand she held against her
side.

When the women reached the boy who sat in silence before the bakery
she put her hands on his shoulders and plead with him. "Come away,"
she said. "Get your mother and come to our place. They're going to
smash you up here. You'll get hurt."

Beaut arose and pushed her away. Her coming had given him new courage.
His heart jumped at the thought of her interest in him and he wished
that the miners might come so that he could fight them before her. "I
wish I could live among people as decent as she," he thought.

A train stopped at the station down the street. There came the sound
of tramping of men and quick sharp commands. A stream of men poured
out of the saloon onto the sidewalk. Down the street came a file of
soldiers with guns swung across their shoulders. Again Beaut was
thrilled by the sight of trained orderly men moving along shoulder to
shoulder. In the presence of these men the disorganized miners seemed
pitifully weak and insignificant. The girl pulled the shawl about her
head and ran up the street to disappear into the stairway. The boy
unlocked the door and went upstairs and to bed.

After the strike Nance McGregor who owned nothing but unpaid accounts
was unable to open the bakery. A small man with a white moustache, who
chewed tobacco, came from the mill and took the unused flour and
shipped it away. The boy and his mother continued living above the
bakery store room. Again she went in the morning to wash the windows
and scrub the floors in the offices of the mine and her red-haired son
stood upon the street or sat in the pool room and talked to the black-
haired boy. "Next week I'll be going to the city and will begin making
something of myself," he said. When the time came to go he waited and
idled in the streets. Once when a miner jeered at him for his idleness
he knocked him into the gutter. The miners who hated him for his
speech on the steps, admired him for his strength and brute courage.




CHAPTER IV


In a cellar-like house driven like a stake into the hillside above
Coal Creek lived Kate Hartnet with her son Mike. Her man had died with
the others during the fire in the mine. Her son like Beaut McGregor
did not work in the mine. He hurried through Main Street or went half
running among the trees on the hills. Miners seeing him hurrying along
with white intense face shook their heads. "He's cracked," they said.
"He'll hurt some one yet."

Beaut saw Mike hurrying about the streets. Once encountering him in
the pine woods above the town he walked with him and tried to get him
to talk. In his pockets Mike carried books and pamphlets. He set traps
in the woods and brought home rabbits and squirrels. He got together
collections of birds' eggs which he sold to women in the trains that
stopped at Coal Creek and when he caught birds he stuffed them, put
beads in their eyesockets and sold them also. He proclaimed himself an
anarchist and like Cracked McGregor muttered to himself as he hurried
along.

One day Beaut came upon Mike Hartnet reading a book as he sat on a log
overlooking the town. A shock ran through McGregor when he looked over
the shoulder of the man and saw what book he read. "It is strange," he
thought, "that this fellow should stick to the same book that fat old
Weeks makes his living by."

Beaut sat on the log beside Hartnet and watched him. The reading man
looked up and nodded nervously then slid along the log to the farther
end. Beaut laughed. He looked down at the town and then at the
frightened nervous book-reading man on the log. An inspiration came to
him.

"If you had the power, Mike, what would you do to Coal Creek?" he
asked.

The nervous man jumped and tears came into his eyes. He stood before
the log and spread out his hands. "I would go among men like Christ,"
he cried, pitching his voice forward like one addressing an audience.
"Poor and humble, I would go teaching them of love." Spreading out his
hands like one pronouncing a benediction he shouted, "Oh men of Coal
Creek, I would teach you love and the destruction of evil."

Beaut jumped up from the log and strode before the trembling figure.
He was strangely moved. Grasping the man he thrust him back upon the
log. His own voice rolled down the hillside in a great roaring laugh.
"Men of Coal Creek," he shouted, mimicking the earnestness of Hartnet,
"listen to the voice of McGregor. I hate you. I hate you because you
jeered at my father and at me and because you cheated my mother, Nance
McGregor. I hate you because you are weak and disorganised like
cattle. I would like to come among you teaching the power of force. I
would like to slay you one by one, not with weapons but with my naked
fists. If they have made you work like rats buried in a hole they are
right. It is man's right to do what he can. Get up and fight. Fight
and I'll get on the other side and you can fight me. I'll help drive
you back into your holes."

Beaut ceased speaking and jumping over the logs ran down the road.
Among the first of the miner's houses he stopped and laughed
awkwardly. "I am cracked also," he thought, "shouting at emptiness on
a hillside." He went on in a reflective mood, wondering what power had
taken hold of him. "I would like a fight--a fight against odds," he
thought. "I will stir things up when I am a lawyer in the city."

Mike Hartnet came running down the road at the heels of McGregor.
"Don't tell," he plead trembling. "Don't tell about me in the town.
They will laugh and call names after me. I want to be let alone."

Beaut shook himself loose from the detaining hand and went on down the
hill. When he had passed out of sight of Hartnet he sat down on the
ground. For an hour he looked at the town in the valley and thought of
himself. He was half proud, half ashamed of the thing that had
happened.

       *       *       *       *       *

In the blue eyes of McGregor anger flashed quick and sudden. Upon the
streets of Coal Creek he walked, swinging along, his great body
inspiring fear. His mother grown grave and silent worked in the
offices of the mines. Again she had a habit of silence in her own home
and looked at her son, half fearing him. All day she worked in the
mine offices and in the evening sat silently in a chair on the porch
before her house and looked down into Main Street.

Beaut McGregor did nothing. He sat in the dingy little pool room and
talked with the black-haired boy or walked over the hills swinging a
stick in his hand and thinking of the city to which he would presently
go to start his career. As he walked in the streets women stopped to
look at him, thinking of the beauty and strength of his maturing body.
The miners passed him in silence hating him and dreading his wrath.
Walking among the hills he thought much of himself. "I am capable of
anything," he thought, lifting his head and looking at the towering
hills, "I wonder why I stay on here."

When he was eighteen Beaut's mother fell ill. All day she lay on her
back in bed in the room above the empty bakery. Beaut shook himself
out of his waking stupor and went about seeking work. He had not felt
that he was indolent. He had been waiting. Now he bestirred himself.
"I'll not go into the mines," he said, "nothing shall get me down
there."

He got work in a livery stable cleaning and feeding the horses. His
mother got out of bed and began going again to the mine offices.
Having started to work Beaut stayed on, thinking it but a way station
to the position he would one day achieve in the city.

In the stable worked two young boys, sons of coal miners. They drove
travelling men from the trains to farming towns in valleys back among
the hills and in the evening with Beaut McGregor they sat on a bench
before the barn and shouted at people going past the stable up the
hill.

The livery stable in Coal Creek was owned by a hunchback named Weller
who lived in the city and went home at night. During the day he sat
about the stable talking to red-haired McGregor. "You're a big beast,"
he said laughing. "You talk about going away to the city and making
something of yourself and still you stay on here doing nothing. You
want to quit this talking about being a lawyer and become a prize
fighter. Law is a place for brains not muscles." He walked through the
stables leaning his head to one side and looking up at the big fellow
who brushed the horses. McGregor watched him and grinned. "I'll show
you," he said.

The hunchback was pleased when he strutted before McGregor. He had
heard men talk of the strength and the evil temper of his stableman
and it pleased him to have so fierce a fellow cleaning the horses. At
night in the city he sat under the lamp with his wife and boasted. "I
make him step about," he said.

In the stable the hunchback kept at the heels of McGregor. "And
there's something else," he said, putting his hand in his pockets and
raising himself on his toes. "You look out for that undertaker's
daughter. She wants you. If she gets you there will be no law study
but a place in the mines for you. You let her alone and begin taking
care of your mother."

Beaut went on cleaning the horses and thinking of what the hunchback
had said. He thought there was sense to it. He also was afraid of the
tall pale girl. Sometimes when he looked at her a pain shot through
him and a combination of fear and desire gripped him. He walked away
from it and went free as he went free from the life in the darkness
down in the mine. "He has a kind of genius for keeping away from the
things he don't like," said the liveryman, talking to Uncle Charlie
Wheeler in the sun before the door of the post office.

One afternoon the two boys who worked in the livery stable with
McGregor got him drunk. The affair was a rude joke, elaborately
planned. The hunchback had stayed in the city for the day and no
travelling men got off the trains to be driven over the hills. In the
afternoon hay brought over the hill from the fruitful valley was being
put into the loft of the barn and between loads McGregor and the two
boys sat on the bench by the stable door. The two boys went to the
saloon and brought back beer, paying for it from a fund kept for that
purpose. The fund was the result of a system worked out by the two
drivers. When a passenger gave one of them a coin at the end of a day
of driving he put it into the common fund. When the fund had grown to
some size the two went to the saloon and stood before the bar drinking
until it was spent and then came back to sleep off their stupor on the
hay in the barn. After a prosperous week the hunchback occasionally
gave them a dollar for the fund.

Of the beer McGregor drank but one foaming glass. For all his idling
about Coal Creek he had never before tasted beer and it was strong and
bitter in his mouth. He threw up his head and gulped it then turned
and walked toward the rear of the stable to conceal the tears that the
taste of the stuff had forced into his eyes.

The two drivers sat on the bench and laughed. The drink they had given
Beaut was a horrible mess concocted by the laughing bartender at their
suggestion. "We will get the big fellow drunk and hear him roar," the
bartender had said.

As he walked toward the back of the stable a convulsive nausea seized
Beaut. He stumbled and pitched forward, cutting his face on the floor.
Then he rolled over on his back and groaned and a little stream of
blood ran down his cheek.

The two boys jumped up from the bench and ran toward him. They stood
looking at his pale lips. Fear seized them. They tried to lift him but
he fell from their arms and lay again on the stable floor, white and
motionless. Filled with fright they ran from the stable and through
Main Street. "We must get a doctor," they said as they hurried along,
"He is mighty sick--that fellow."

In the doorway leading to the rooms over the undertaker's shop stood
the tall pale girl. One of the running boys stopped and addressed her,
"Your red-head," he shouted, "is blind drunk lying on the stable
floor. He has cut his head and is bleeding."

The tall girl ran down the street to the offices of the mine. With
Nance McGregor she hurried to the stable. The store keepers along Main
Street looked out of their doors and saw the two women pale and with
set faces half-carrying the huge form of Beaut McGregor along the
street and in at the door of the bakery.

       *       *       *       *       *

At eight o'clock that evening Beaut McGregor, his legs still unsteady,
his face white, climbed aboard a passenger train and passed out of the
life of Coal Creek. On the seat beside him a bag contained all his
clothes. In his pocket lay a ticket to Chicago and eighty-five
dollars, the last of Cracked McGregor's savings. He looked out of the
car window at the little woman thin and worn standing alone on the
station platform and a great wave of anger passed through him. "I'll
show them," he muttered. The woman looked at him and forced a smile to
her lips. The train began to move into the west. Beaut looked at his
mother and at the deserted streets of Coal Creek and put his head down
upon his hands and in the crowded car before the gaping people wept
with joy that he had seen the last of youth. He looked back at Coal
Creek, full of hate. Like Nero he might have wished that all of the
people of the town had but one head so that he might have cut it off
with a sweep of a sword or knocked it into the gutter with one
swinging blow.





BOOK II



CHAPTER I


It was late in the summer of 1893 when McGregor came to Chicago, an
ill time for boy or man in that city. The big exposition of the year
before had brought multiplied thousands of restless labourers into the
city and its leading citizens, who had clamoured for the exposition
and had loudly talked of the great growth that was to come, did not
know what to do with the growth now that it had come. The depression
that followed on the heels of the great show and the financial panic
that ran over the country in that year had set thousands of hungry men
to wait dumbly on park benches poring over want advertisements in the
daily papers and looking vacantly at the lake or had driven them to
tramp aimlessly through the streets, filled with forebodings.

In time of plenty a great American city like Chicago goes on showing a
more or less cheerful face to the world while in nooks and crannies
down side-streets and alleys poverty and misery sit hunched up in
little ill-smelling rooms breeding vice. In times of depression these
creatures crawl forth and joined by thousands of the unemployed tramp
the streets through the long nights or sleep upon benches in the
parks. In the alleyways off Madison Street on the West Side and off
State Street, on the South Side, eager women driven by want sold their
bodies to passersby for twenty-five cents. An advertisement in the
newspapers of one unfilled job brought a thousand men to block the
streets at daylight before a factory door. In the crowds men swore and
knocked each other about. Working-men driven to desperation went forth
into quiet streets and knocking over citizens took their money and
watches and ran trembling into the darkness. A girl of Twenty-fourth
Street was kicked and knocked into the gutter because when attacked by
thieves she had but thirty-five cents in her purse. A professor of the
University of Chicago addressing his class said that, having looked
into the hungry distorted faces of five hundred men clamouring for a
position as dishwasher in a cheap restaurant, he was ready to
pronounce all claims to social advancement in America a figment in the
brains of optimistic fools. A tall awkward man walking up State Street
threw a stone through the window of a store. A policeman hustled him
through the crowd. "You'll get a workhouse sentence for this," he
said.

"You fool that's what I want. I want to make property that won't
employ me feed me," said the tall gaunt man who, trained in the
cleaner and more wholesome poverty of the frontier, might have been a
Lincoln suffering for mankind.

Into this maelstrom of misery and grim desperate want walked Beaut
McGregor of Coal Creek--huge, graceless of body, indolent of mind,
untrained, uneducated, hating the world. Within two days he had
snatched before the very eyes of that hungry marching army three
prizes, three places where a man might by working all day get clothes
to wear upon his back and food to put into his stomach.

In a way McGregor had already sensed something the realisation of
which will go far toward making any man a strong figure in the world.
He was not to be bullied with words. Orators might have preached to
him all day about the progress of mankind in America, flags might have
been flapped and newspapers might have dinned the wonders of his
country into his brain. He would only have shaken his big head. He did
not yet know the whole story of how men, coming out of Europe and
given millions of square miles of black fertile land mines and
forests, have failed in the challenge given them by fate and have
produced out of the stately order of nature only the sordid disorder
of man. McGregor did not know the fullness of the tragic story of his
race. He only knew that the men he had seen were for the most part
pigmies. On the train coming to Chicago a change had come over him.
The hatred of Coal Creek that burned in him had set fire to something
else. He sat looking out of the car window at the stations running
past during the night and the following day at the cornfields of
Indiana, making his plans. In Chicago he meant to do something. Coming
from a community where no man arose above a condition of silent brute
labour he meant to step up into the light of power. Filled with hatred
and contempt of mankind he meant that mankind should serve him. Raised
among men who were but men he meant to be a master.

And his equipment was better than he knew. In a disorderly haphazard
world hatred is as effective an impulse to drive men forward to
success as love and high hope. It is a world-old impulse sleeping in
the heart of man since the day of Cain. In a way it rings true and
strong above the hideous jangle of modern life. Inspiring fear it
usurps power.

McGregor was without fear. He had not yet met his master and looked
with contempt upon the men and women he had known. Without knowing it
he had, besides a huge body hard as adamant, a clear and lucid brain.
The fact that he hated Coal Creek and thought it horrible proved his
keenness. It was horrible. Well might Chicago have trembled and rich
men strolling in the evening along Michigan Boulevard have looked
fearfully about as this huge red fellow, carrying the cheap handbag
and staring with his blue eyes at the restless moving mobs of people,
walked for the first time through its streets. In his very frame there
was the possibility of something, a blow, a shock, a thrust out of the
lean soul of strength into the jelly-like fleshiness of weakness.

In the world of men nothing is so rare as a knowledge of men. Christ
himself found the merchants hawking their wares even on the floor of
the temple and in his naive youth was stirred to wrath and drove them
through the door like flies. And history has represented him in turn
as a man of peace so that after these centuries the temples are again
supported by the hawking of wares and his fine boyish wrath is
forgotten. In France after the great revolution and the babbling of
many voices talking of the brotherhood of man it wanted but a short
and very determined man with an instinctive knowledge of drums, of
cannons and of stirring words to send the same babblers screaming
across open spaces, stumbling through ditches and pitching headlong
into the arms of death. In the interest of one who believed not at all
in the brotherhood of man they who had wept at the mention of the word
brotherhood died fighting brothers.

In the heart of all men lies sleeping the love of order. How to
achieve order out of our strange jumble of forms, out of democracies
and monarchies, dreams and endeavours is the riddle of the Universe
and the thing that in the artist is called the passion for form and
for which he also will laugh in the face of death is in all men. By
grasping that fact Caesar, Alexander, Napoleon and our own Grant have
made heroes of the dullest clods that walk and not a man of all the
thousands who marched with Sherman to the sea but lived the rest of
his life with a something sweeter, braver and finer sleeping in his
soul than will ever be produced by the reformer scolding of
brotherhood from a soap-box. The long march, the burning of the throat
and the stinging of the dust in the nostrils, the touch of shoulder
against shoulder, the quick bond of a common, unquestioned,
instinctive passion that bursts in the orgasm of battle, the
forgetting of words and the doing of the thing, be it winning battles
or destroying ugliness, the passionate massing of men for
accomplishment--these are the signs, if they ever awake in our land,
by which you may know you have come to the days of the making of men.

In Chicago in 1893 and in the men who went aimlessly seeking work in
the streets of Chicago in that year there were none of these signs.
Like the coal mining town from which Beaut McGregor had come, the city
lay sprawling and ineffective before him, a tawdry disorderly dwelling
for millions of men, built not for the making of men but for the
making of millions by a few odd meat-packers and drygoods merchants.

With a slight lifting of his great shoulders McGregor sensed these
things although he could not have expressed his sense of them and the
hatred and contempt of men, born of his youth in the mining town, was
rekindled by the sight of city men wandering afraid and bewildered
through the streets of their own city.

Knowing nothing of the customs of the unemployed McGregor did not walk
the streets looking for signs marked "Men Wanted." He did not sit on
park benches studying want advertisements, the want advertisements
that so often proved but bait put out by suave men up dirty stairways
to glean the last few pennies from pockets of the needy. Going along
the street he swung his great body through the doorways leading to the
offices of factories. When some pert young man tried to stop him he
did not say words but drew back his fist threateningly and, glowering,
walked in. The young men at the doors of factories looked at his blue
eyes and let him pass unchallenged.

In the afternoon of his first day of seeking Beaut got a place in an
apple warehouse on the North Side, the third place offered him during
the day and the one that he accepted. The chance came to him through
an exhibition of strength. Two men, old and bent, struggled to get a
barrel of apples from the sidewalk up to a platform that ran waist
high along the front of the warehouse. The barrel had rolled to the
sidewalk from a truck standing in the gutter. The driver of the truck
stood with his hands on his hips, laughing. A German with blond hair
stood upon the platform swearing in broken English. McGregor stood
upon the sidewalk and looked at the two men who were struggling with
the barrel. A feeling of immense contempt for their feebleness shone
in his eyes. Pushing them aside he grasped the barrel and with a great
heave sent it up onto the platform and spinning through an open
doorway into the receiving room of the warehouse. The two workmen
stood on the sidewalk smiling sheepishly. Across the street a group of
city firemen who lounged in the sun before an engine house clapped
their hands. The truck driver turned and prepared to send another
barrel along the plank extending from the truck across the sidewalk to
the warehouse platform. At a window in the upper part of the warehouse
a grey head protruded and a sharp voice called down to the tall
German. "Hey Frank, hire that 'husky' and let about six of the dead
ones you've got around here go home."

McGregor jumped upon the platform and walked in at the warehouse door.
The German followed, inventorying the size of the red-haired giant
with something like disapproval. His look seemed to say, "I like
strong fellows but you're too strong." He took the discomfiture of the
two feeble workmen on the sidewalk as in some way reflecting upon
himself. The two men stood in the receiving room and looked at each
other. A bystander might have thought them preparing to fight.

And then a freight elevator came slowly down from the upper part of
the warehouse and from it jumped a small grey-haired man with a yard
stick in his hand. He had a sharp restless eye and a short stubby grey
beard. Striking the floor with a bound he began to talk. "We pay two
dollars for nine hours' work here--begin at seven, quit at five. Will
you come?" Without waiting for an answer he turned to the German.
"Tell those two old 'rummies' to get their time and get out of here,"
he said, turning again and looking expectantly at McGregor.

McGregor liked the quick little man and grinned with approval of his
decisiveness. He nodded his assent to the proposal and, looking at the
German, laughed. The little man disappeared through a door leading to
an office and McGregor walked out into the street. At a corner he
turned and saw the German standing on the platform before the
warehouse looking after him. "He is wondering whether or not he can
whip me," thought McGregor.

       *       *       *       *       *

In the apple warehouse McGregor worked for three years, rising during
his second year to be foreman and replacing the tall German. The
German expected trouble with McGregor and was determined to make short
work of him. He had been offended by the action of the gray-haired
superintendent in hiring the man and felt that a prerogative belonging
to himself had been ignored. All day he followed McGregor with his
eyes, trying to calculate the strength and courage in the huge body.
He knew that hundreds of hungry men walked the streets and in the end
decided that the need of work if not the spirit of the man would make
him submissive. During the second week he put the question that burned
in his brain to the test. He followed McGregor into a dimly-lighted
upper room where barrels of apples, piled to the ceiling, left only
narrow ways for passage. Standing in the semi-darkness he shouted,
calling the man who worked among the apple barrels a foul name, "I
won't have you loafing in there, you red-haired bastard," he shouted.

McGregor said nothing. He was not offended by the vileness of the name
the German had called him and took it merely as a challenge that he
had been expecting and that he meant to accept. With a grim smile on
his lips he walked toward the German and when but one apple barrel lay
between them reached across and dragged the foreman sputtering and
swearing down the passageway to a window at the end of the room. By
the window he stopped and putting his hand to the throat of the
struggling man began to choke him into submission. Blows fell on his
face and body. Struggling terribly the German kicked McGregor's legs
with desperate energy. Although his ears rang with the hammer-like
blows that fell about his neck and cheeks McGregor stool silent under
the storm. His blue eyes gleamed with hatred and the muscles of his
great arms danced in the light from the window. As he looked into the
protruding eyes of the writhing German he thought of fat Reverend
Minot Weeks of Coal Creek and added an extra twitch to the flesh
between his fingers. When a gesture of submission came from the man
against the wall he stepped back and let go his grip. The German
dropped to the floor. Standing over him McGregor delivered his
ultimatum. "You report this or try to get me fired and I'll kill you
outright," he said. "I'm going to stay here on this job until I get
ready to leave it. You can tell me what to do and how to do it but
when you speak to me again say 'McGregor'--Mr. McGregor, that's my
name."

The German got to his feet and began walking down the passageway
between the rows of piled barrels. As he went he helped himself along
with his hands. McGregor went back to work. After the retreating form
of the German he shouted, "Get a new place when you can Dutch, I'll be
taking this job away from you when I'm ready for it."

That evening as McGregor walked to the car he saw the little grey-
haired superintendent standing waiting for him before a saloon. The
man made a sign and McGregor walked across and stood beside him. They
went together into the saloon and stood leaning against the bar and
looked at each other. A smile played about the lips of the little man.
"What have you been doing to Frank?" he asked.

McGregor turned to the bartender who stood waiting before him. He
thought that the superintendent intended to try to patronise him by
buying him a drink and he did not like the thought. "What will you
have? I'll take a cigar for mine," he said quickly, defeating the
superintendent's plan by being the first to speak. When the bartender
brought the cigars McGregor paid for them and walked out at the door.
He felt like one playing a game. "If Frank meant to bully me into
submission this man also means something."

On the sidewalk before the saloon McGregor stopped. "Look here," he
said, turning and facing the superintendent, "I'm after Frank's place.
I'm going to learn the business as fast as I can. I won't put it up to
you to fire him. When I get ready for the place he won't be there."

A light flashed into the eyes of the little man. He held the cigar
McGregor had paid for as though about to throw it into the street.
"How far do you think you can go with your big fists?" he asked, his
voice rising.

McGregor smiled. He thought he had earned another victory and lighting
his cigar held the burning match before the little man. "Brains are
intended to help fists," he said, "I've got both."

The superintendent looked at the burning match and at the cigar
between his fingers. "If I don't which will you use on me?" he asked.

McGregor threw the match into the street. "Aw! don't bother asking,"
he said, holding out another match.

McGregor and the superintendent walked along the street. "I would like
to fire you but I won't. Some day you'll run that warehouse like a
clock," said the superintendent.

McGregor sat in the street-car and thought of his day. It had been he
felt a day of two battles. First the direct brutal battle of fists in
the passageway and then this other battle with the superintendent. He
thought he had won both fights. Of the fight with the tall German he
thought little. He had expected to win that. The other was different.
The superintendent he felt had wanted to patronise him, patting him on
the back and buying him drinks. Instead he had patronised the
superintendent. A battle had gone on in the brains of the two men and
he had won. He had met a new kind of man, one who did not live by the
raw strength of his muscles and he had given a good account of
himself. The conviction that he had, besides a good pair of fists, a
good brain swept in on him glorifying him. He thought of the sentence,
"Brains are intended to help fists," and wondered how he had happened
to think of it.




CHAPTER II


The street in which McGregor lived in Chicago was called Wycliff
Place, after a family of that name that had once owned the land
thereabout. The street was complete in its hideousness. Nothing more
unlovely could be imagined. Given a free hand an indiscriminate lot of
badly trained carpenters and bricklayers had builded houses beside the
cobblestone road that touched the fantastic in their unsightliness and
inconvenience.

The great west side of Chicago has hundreds of such streets and the
coal mining town out of which McGregor had come was more inspiring as
a place in which to live. As an unemployed young man, not much given
to chance companionships, Beaut had spent many long evenings wandering
alone on the hillsides above his home town. There was a kind of
dreadful loveliness about the place at night. The long black valley
with its dense shroud of smoke that rose and fell and formed itself
into fantastic shapes in the moonlight, the poor little houses
clinging to the hillside, the occasional cry of a woman being beaten
by a drunken husband, the glare of the coke fires and the rumble of
coal cars being pushed along the railroad tracks, all of these made a
grim and rather inspiring impression on the young man's mind so that
although he hated the mines and the miners he sometimes paused in his
night wanderings and stood with his great shoulders lifted, breathing
deeply and feeling things he had no words in him to express.

In Wycliff Place McGregor got no such reactions. Foul dust filled the
air. All day the street rumbled and roared under the wheels of trucks
and light hurrying delivery wagons. Soot from the factory chimneys was
caught up by the wind and having been mixed with powdered horse manure
from the roadway flew into the eyes and the nostrils of pedestrians.
Always a babble of voices went on. At a corner saloon teamsters
stopped to have their drinking cans filled with beer and stood about
swearing and shouting. In the evening women and children went back and
forth from their houses carrying beer in pitchers from the same
saloon. Dogs howled and fought, drunken men reeled along the sidewalk
and the women of the town appeared in their cheap finery and paraded
before the idlers about the saloon door.

The woman who rented the room to McGregor boasted to him of Wycliff
blood. It was that she told him that had brought her to Chicago from
her home at Cairo, Illinois. "The place was left to me and not knowing
what else to do with it I came here to live," she said. She explained
to him that the Wycliffs had been people of note in the early history
of Chicago. The huge old house with the cracked stone steps and the
ROOMS TO RENT sign in the window had once been their family seat.

The history of this woman was characteristic of the miss-fire quality
of much of American life. She was at bottom a wholesome creature who
should have lived in a neat frame house in a village and tended a
garden. On Sunday she should have dressed herself with care and gone
off to sit in a country church with her hands crossed and her soul at
rest.

The thought of owning a house in the city had however paralysed her
brain. The house itself was worth a certain number of thousands of
dollars and her mind could not rise above that fact, so her good broad
face had become grimy with city dirt and her body weary from the
endless toil of caring for roomers. On summer evenings she sat on the
steps before her house clad in some bit of Wycliff finery taken from a
trunk in the attic and when a lodger came out at the door she looked
at him wistfully and said, "On such a night as this you could hear the
whistles on the river steamers in Cairo."

McGregor lived in a small room at the end of a tall on the second
floor of the Wycliff house. The windows of the room looked down into a
dirty little court almost surrounded by brick warehouses. The room was
furnished with a bed, a chair that vas always threatening to come to
pieces and a desk with weak carved legs.

In this room sat McGregor night after night striving to realise his
Coal Creek dream of training his mind and making himself of some
account in the world. From seven-thirty until nine-thirty he sat at a
desk in a night school. From ten until midnight he read in his room.
He did not think of his surroundings, of the vast disorder of life
about him, but tried with all his strength to bring something like
order and purpose into his own mind and his own life.

In the little court under the window lay heaps of discarded newspaper
tossed about by the wind. There in the heart of the city, walled in by
the brick warehouse and half concealed under piles of chair legs cans
and broken bottles, lay two logs in their time no doubt, a part of the
grove that once lay about the house. The neighbourhood had passed so
rapidly from country estate to homes and from homes to rented lodgings
and huge brick warehouses that the marks of the lumberman's axe still
showed in the butts of the logs.

McGregor seldom saw the little court except when its ugliness was
refined and glossed over by darkness or by the moonlight. On hot
evenings he laid down his book and leaning far out of the window
rubbed his eyes and watched the discarded newspapers, worried by the
whirlpools of wind in the court, run here and there, dashing against
the warehouse walls and vainly trying to escape over the roof. The
sight fascinated him and brought a thought into his mind. He began to
think that the lives of most of the people about him were much like
the dirty newspaper harried by adverse winds and surrounded by ugly
walls of facts. The thought drove him from the window to renewed
effort among his books. "I'll do something here anyway. I'll show
them," he growled.

One living in the house with McGregor during those first years in the
city might have thought his life stupid and commonplace but to him it
did not seem so. It was for the miner's son a time of sudden and
tremendous growth. Filled with confidence in the strength and
quickness of his body he was beginning to have also confidence in the
vigour and clearness of his brain. In the warehouse he went about with
eyes and ears open, devising in his mind new methods of moving goods,
watching the men at work, marking the shirkers, preparing to pounce
upon the tall German's place as foreman.

The superintendent of the warehouse, not understanding the turn of the
talk with McGregor on the sidewalk before the saloon, decided to like
him and laughed when they met in the warehouse. The tall German
maintained a policy of sullen silence and went to laborious lengths to
avoid addressing him.

In his room at night McGregor began to read law, reading each page
over and over and thinking of what he had read through the next day as
he rolled and piled apple barrels in the passages in the warehouse.

McGregor had an aptitude and an appetite for facts. He read law as
another and gentler nature might have read poetry or old legends. What
he read at night he remembered and thought about during the day. He
had no dream of the glories of the law. The fact that these rules laid
down by men to govern their social organisation were the result of
ages of striving toward perfection did not greatly interest him and he
only thought of them as weapons with which to attack and defend in the
battle of brains he meant presently to fight. His mind gloated in
anticipation of the battle.




CHAPTER III


And then a new element asserted itself in the life of McGregor. One of
the hundreds of disintegrating forces that attack strong natures,
striving to scatter their force in the back currents of life, attacked
him. His big body began to feel with enervating persistency the call
of sex.

In the house in Wycliff Place McGregor passed as a mystery. By keeping
silence he won a reputation for wisdom. The clerks in the hall
bedrooms thought him a scientist. The woman from Cairo thought him a
theological student. Down the hall a pretty girl with large black eyes
who worked in a department store down town dreamed of him at night.
When in the evening he banged the door to his room and strode down the
hallway going to the night school she sat in a chair by the open door
of her room. As he passed she raised her eyes and looked at him
boldly. When he returned she was again by the door and again she
looked boldly at him.

In his room, after the meetings with the black-eyed girl McGregor
found difficulty in keeping his mind on the reading. He felt as he had
felt with the pale girl on the hillside beyond Coal Creek. With her as
with the pale girl he felt the need of defending himself. He began to
make it a practice to hurry along past her door.

The girl in the hall bedroom thought constantly of McGregor. When he
had gone to night school another young man of the house who wore a
Panama hat came from the floor above and, putting his hands on the
door frames of her room, stood looking at her and talking. In his lips
he held a cigarette, which when he talked hung limply from the corner
of his mouth.

This young man and the black-eyed girl kept up a continuous stream of
comments on the doings of red-haired McGregor. Begun by the young man,
who hated him because of his silence, the subject was kept alive by
the girl who wanted to talk of McGregor.

On Saturday nights the young man and the girl sometimes went together
to the theatre. One night in the summer when they had returned to the
front of the house the girl stopped. "Let's see what the big red-head
is doing," she said.

Going around the block they stole in the darkness down an alleyway and
stood in the little dirty court looking up at McGregor who, with his
feet in the window and a lamp burning at his shoulder, sat in his room
reading.

When they returned to the front of the house the black-eyed girl
kissed the young man, closing her eyes and thinking of McGregor. In
her room later she lay abed dreaming. She imagined herself assaulted
by the young man who had crept into her room and that McGregor had
come roaring down the hall to snatch him away and fling him outside
the door.

At the end of the hallway near the stairway leading to the street
lived a barber. He had deserted a wife and four children in a town in
Ohio and to prevent recognition had grown a black beard. Between this
man and McGregor a companionship had sprung up and they went together
on Sunday mornings to walk in the park. The black bearded man called
himself Frank Turner.

Frank Turner had a passion. Through the evenings and on Sunday
afternoons he sat in his room making violins. He worked with a knife,
glue, pieces of glass and sand paper and spent his earnings for
ingredients for the making of varnishes. When he got hold of a piece
of wood that seemed an answer to his prayers he took it to McGregor's
room and holding it up to the light talked of what he would do with
it. Sometimes he brought a violin and sitting in the open window
tested the quality of its tone. One evening he took an hour of
McGregor's time to talk of the varnish of Cremona and to read to him
from a worn little book concerning the old Italian masters of violin
making.

       *       *       *       *       *

On a bench in the park sat Turner, the maker of violins, the man who
dreamed of the rediscovery of the varnish of Cremona, talking to
McGregor, son of the Pennsylvania miner.

It was a Sunday afternoon and the park was vibrant with life. All day
the street cars had been unloading Chicagoans at the park entrance.
They came in pairs and in parties, young men with their sweethearts
and fathers with families at their heels. Now at the end of the day
they continued to come, a steady stream of humanity flowing along the
gravel walk past the bench where the two men sat in talk. Through the
stream and crossing it went another stream homeward bound. Babies
cried. Fathers called to the children at play on the grass. Cars
coming to the park filled went away filled.

McGregor looked about him and thought of himself and of the restless
moving people. In him there was none of that vague fear of the
multitude common to many solitary souls. His contempt of men and of
the lives lived by men reinforced his native boldness. The odd little
rounding of the shoulders of even the athletic young men made him
straighten with pride his own shoulders and fat and lean, tall and
short, he thought of all men as counters in some vast games at which
he was presently to be a master player.

The passion for form, that strange intuitive power that many men have
felt and none but the masters of human life have understood, had begun
to awaken in him. Already he had begun to sense out the fact that for
him law was but an incident in some vast design and he was altogether
untouched by the desire for getting on in the world, by the greedy
little snatching at trifles that was the whole purpose of the lives of
so many of the people about him. When somewhere in the park a band
began to play he nodded his head up and down and ran his hand
nervously up and down the legs of his trousers. Into his mind came the
desire to boast to the barber, telling of the things he meant to do in
the world, but he put the desire away. Instead he sat silently
blinking his eyes and wondering at the persistent air of
ineffectiveness in the people who passed. When a band went by playing
march music and followed by some fifty men wearing white plumes in
their hats and walking with self-conscious awkwardness, he was
startled. Among the people he thought there was a change. Something
like a running shadow passed over them. The babbling of voices ceased
and like himself the people began to nod their heads. A thought,
gigantic in its simplicity, began to come into his mind but was wiped
out immediately by his impatience with the marchers. A madness to
spring up and run among them knocking them about and making them march
with the power that comes of abandonment almost lifted him from the
bench. His mouth twitched and his fingers ached for action.

       *       *       *       *       *

In and out among the trees and on the green spaces moved the people.
Along the shores of a pond sat men and women eating the evening meal
from baskets or from white cloths spread on the grass. They laughed
and shouted at each other and at the children, calling them back from
the gravel driveways filled with moving carriages. Beaut saw a girl
throw an egg shell and hit a young fellow between the eyes, and then
run laughing away along the shore of the pond. Under a tree a woman
nursed a babe, covering her breasts with a shawl so that just the
black head of the babe showed. Its tiny hand clutched at the mouth of
the woman. In an open space in the shadow of a building young men
played baseball, the shouts of the spectators rising above the murmur
of the voices of people on the gravel walk.

A thought came into McGregor's mind that he wanted to discuss with the
older man. He was moved by the sight of women about and shook himself
like one awakening from a dream. Then he began looking at the ground
and kicking up the gravel with his foot. "Look here," he said, turning
to the barber, "what is a man to do about women, about getting what he
wants from the women?"

The barber seemed to understand. "It has come to that then?" he asked
and looked quickly up. He lighted a pipe and sat looking at the
people. It was then he told McGregor of the wife and four children in
the Ohio town, describing the little brick house and the garden and
the coop for chickens at the back like one who lingers over a place
dear to his fancy. Something old and weary was in his voice as he
finished.

"It wasn't a matter for me to decide," he said. "I came away because I
couldn't do anything else. I'm not excusing myself, I'm just telling
you. There was something messy and disorderly about it all, about my
life with her and with them. I couldn't stand it. I felt myself being
submerged by something. I wanted to be orderly and to work, you see. I
couldn't let violin making alone. Lord, how I tried--tried bluffing
myself about it--calling it a fad."

The barber looked nervously at McGregor to reassure himself of his
interest. "I owned a shop on the main street of our town. Back of it
was a blacksmith shop. During the day I stood by the chair in my shop
talking to men being shaved about the love of women and a man's duty
to his family. Summer afternoons I went and sat on a keg in the
blacksmith shop and talked of the same thing with the smith but all
that did me no good.

"When I let myself go I dreamed not of my duty to my family but of
working undisturbed as I do now here in the city in my room in the
evenings and on Sundays."

A sharpness came into the voice of the speaker. He turned to McGregor
and talked vigorously like one making a defence. "My woman was a good
enough sort," he said. "I suppose loving is an art like writing a book
or drawing pictures or making violins. People try to do it and don't
succeed. In the end we threw the job up and just lived together like
most people do. Our lives got mussy and meaningless. That's how it
was.

"Before she married me my wife had been a stenographer in a factory
that made tin cans. She liked that work. She could make her fingers
dance along the keys. When she read a book at home she didn't think
the writer amounted to much if he made mistakes about punctuation. Her
boss was so proud of her that he would brag of her work to visitors
and sometimes would go off fishing leaving the running of the business
in her hands.

"I don't know why she married me. She was happier there and she is
happier back there now. We got to walking together on Sunday evenings
and standing under the trees on side streets, kissing and looking at
each other. We talked about a lot of things. We seemed to need each
other. Then we got married and started living together.

"It didn't work out. After we had been married a few years things
changed. I don't know why. I thought I was the same as I had been and
I think she was. We used to sit around quarrelling about it, each
blaming the other. Anyway we didn't get along.

"We would sit on the little front porch of our house in the evening,
she bragging of the work she had done in the can factory and I
dreaming of quietude and a chance to work on the violins. I thought I
knew a way to increase the quality and beauty of tone and I had that
idea about varnish I have talked to you about. I even dreamed of doing
things those old fellows of Cremona didn't do.

"When she had been talking of her work in the office for maybe a half
hour she would look up and find that I hadn't been listening. We would
quarrel. We even quarrelled before the children after they came. Once
she said that she didn't see how it would matter if no violins had
ever been made and that night I dreamed of choking her in bed. I woke
up and lay there beside her thinking of it with something like real
satisfaction in just the thought that one long hard grip of my fingers
would get her out of my way for good.

"We didn't always feel that way. Every little while a change would
come over both of us and we would begin to take an interest in each
other. I would be proud of the work she had done in the factory and
would brag of it to men coming into the shop. In the evening she would
be sympathetic about the violins and put the baby to bed to let me
alone at my work in the kitchen.

"Then we would begin to sit in the darkness in the house and hold each
other's hands. We would forgive things that had been said and play a
sort of game, chasing each other about the room in the darkness and
knocking against the chairs and laughing. Then we would begin to look
at each other and kiss. Presently there would be another baby."

The barber threw up his hands with a gesture of impatience. His voice
lost its softer, reminiscent quality. "Such times didn't last," he
said. "On the whole it was no life to live. I came away. The children
are in a state institution and she has gone back to her work in the
office. The town hates me. They have made a heroine of her. I'm here
talking to you with these whiskers on my face so that people from my
town wouldn't know me if they came along. I'm a barber and I would
shave them off fast enough if it wasn't for that."

A woman walking past looked back at McGregor. In her eyes lurked an
invitation. It reminded him of something in the eyes of the pale
daughter of the undertaker of Coal Creek. An uneasy tremor ran through
him. "What do you do about women now?" he asked.

The voice of the smaller man arose harsh and excited in the evening
air. "I get the feeling taken out of me as a man would have a tooth
fixed," he said. "I pay money for the service and keep my mind on what
I want to do. There are plenty of women for that, women who are good
for that only. When I first came here I used to wander about at night,
wanting to go to my room and work but with my mind and my will
paralysed by that feeling. I don't do that now and I won't again. What
I do many men do--good men--men who do good work. What's the use
thinking about it when you only run against a stone wall and get
hurt?"

The black bearded man arose, thrust his hands into his trousers
pockets and looked about him. Then he sat down again. He seemed to be
filled with suppressed excitement. "There is a big hidden something
going on in modern life," he said, talking rapidly and excitedly. "It
used to touch only the men higher up, now it reaches down to men like
me--barbers and workingmen. Men know about it but don't talk and don't
dare think. Their women have changed. Women used to be willing to do
anything for men, just be slaves to them. The best men don't ask that
now and don't want that."

He jumped to his feet and stood over McGregor. "Men don't understand
what's going on and don't care," he said. "They are too busy getting
things done or going to ball games or quarrelling about politics.

"And what do they know about it if they are fools enough to think?
They get thrown into false notions. They see about them a lot of fine
purposeful women maybe caring for their children and they blame
themselves for their vices and are ashamed. Then they turn to the
other women anyway, shutting their eyes and going ahead. They pay for
what they want as they would pay for a dinner, thinking no more of the
women who serve them than they do of the waitresses who serve them in
the restaurants. They refuse to think of the new kind of woman that is
growing up. They know that if they get sentimental about her they'll
get into trouble or get new tests put to them, be disturbed you see,
and spoil their work or their peace of mind. They don't want to get
into trouble or be disturbed. They want to get a better job or enjoy a
ball game or build a bridge or write a book. They think that a man who
gets sentimental about any woman is a fool and of course he is."

"Do you mean that all of them do that?" asked McGregor. He wasn't
upset by what had been said. It struck him as being true. For himself
he was afraid of women. It seemed to him that a road was being built
by his companion along which he might travel with safety. He wanted
the man to go on talking. Into his brain flashed the thought that if
he had the thing to do over there would have been a different ending
to the afternoon spent with the pale girl on the hillside.

The barber sat down upon the bench. The flush out of his cheeks. "Well
I have done pretty well myself," he said, "but then you know I make
violins and don't think of women. I've been in Chicago two years and
I've spent just eleven dollars. I would like to know what the average
man spends. I wish some fellow would get the facts and publish them.
It would make people sit up. There must be millions spent here every
year."

"You see I'm not very strong and I stand all day on my feet in the
barber shop." He looked at McGregor and laughed. "The black-eyed girl
in the hall is after you," he said. "You'd better look out. You let
her alone. Stick to your law books. You are not like me. You are big
and red and strong. Eleven dollars won't pay your way here in Chicago
for no two years."

McGregor looked again at the people moving toward the park entrance in
the gathering darkness. He thought it wonderful that a brain could
think a thing out so clearly and words express thoughts so lucidly.
His eagerness to follow the passing girls with his eyes was gone. He
was interested in the older man's viewpoint. "And what about
children?" he asked.

The older man sat sideways on the bench. There was a troubled look in
his eyes and a suppressed eager quality in his voice. "I'm going to
tell you about that," he said. "I don't want to keep anything back.

"Look here!" he demanded, sliding along the bench toward McGregor and
emphasising his points by slapping one hand down upon the other.
"Ain't all children my children?" He paused, trying to gather his
scattered thoughts into words. When McGregor started to speak he put
his hand up as though to ward off a new thought or another question.
"I'm not trying to dodge," he said. "I'm trying to get thoughts that
have been in my head day after day in shape to tell. I haven't tried
to express them before. I know men and women cling to their children.
It's the only thing they have left of the dream they had before they
married. I felt that way. It held me for a long time. It would be
holding me now only that the violins pulled so hard at me."

He threw up his hand impatiently. "You see I had to find an answer. I
couldn't think of being a skunk--running away--and I couldn't stay. I
wasn't intended to stay. Some men are intended to work and take care
of children and serve women perhaps but others have to keep trying for
a vague something all their lives--like me trying for a tone on a
violin. If they don't get it it doesn't matter, they have to keep
trying.

"My wife used to say I'd get tired of it. No woman ever really
understands a man caring for anything except herself. I knocked that
out of her."

The little man looked up at McGregor. "Do you think I'm a skunk?" he
asked.

McGregor looked at him gravely. "I don't know," he said. "Go on and
tell me about the children."

"I said they were the last things to cling to. They are. We used to
have religion. But that's pretty well gone now--the old kind. Now men
think about children, I mean a certain kind of men--the ones that have
work they want to get on with. Children and work are the only things
that kind care about. If they have a sentiment about women it's only
about their own--the one they have in the house with them. They want
to keep that one finer than they are themselves. So they work the
other feeling out on the paid women.

"Women fuss about men loving children. Much they care. It's only a
plan for demanding adulation for themselves that they don't earn.
Once, when I first came to the city, I took a place as servant in a
wealthy family. I wanted to stay under cover until my beard grew.
Women used to come there to receptions and to meetings in the
afternoon to talk about reforms they were interested in----Bah! They
work and scheme trying to get at men. They are at it all their lives,
flattering, diverting us, giving us false ideas, pretending to be weak
and uncertain when they are strong and determined. They have no mercy.
They wage war on us trying to make us slaves. They want to take us
captive home to their houses as Caesar took captives home to Rome.

"You look here!" He jumped to his feet again and shook his fingers at
McGregor. "You just try something. You try being open and frank and
square with a woman--any woman--as you would with a man. Let her live
her own life and ask her to let you live yours. You try it. She won't.
She will die first."

He sat down again upon the bench and shook his head back and forth.
"Lord how I wish I could talk!" he said. "I'm making a muddle of this
and I wanted to tell you. Oh, how I wanted to tell you! It's part of
my idea that a man should tell a boy all he knows. We've got to quit
lying to them."

McGregor looked at the ground. He was profoundly and deeply moved and
interested as he had never before been moved by anything but hate.

Two women coming along the gravel walk stopped under a tree and looked
back. The barber smiled and raised his hat. When they smiled back at
him he rose and started toward them. "Come on boy," he whispered
behind his hand to McGregor. "Let's get them."

When McGregor looked up the scene before his eyes infuriated him. The
smiling barber with his hat in his hand, the two women waiting under
the tree, the look of half-guilty innocence on the faces of all of
them, stirred a blind fury in his brain. He sprang forward, clutching
the shoulder of Turner with his hand. Whirling him about he threw him
to his hands and knees. "Get out of here you females!" he roared at
the women who ran off in terror down the walk.

The barber sat again upon the bench beside McGregor. He rubbed his
hands together to brush the bits of gravel out of the flesh. "What's
got wrong with you?" he asked.

McGregor hesitated. He wondered how he should tell what was in his
mind. "Everything in its place," he said finally. "I wanted to go on
with our talk."

Lights flashed out of the darkness of the park. The two men sat on the
bench thinking each his own thoughts.

"I want to take some work out of the clamps to-night," the barber
said, looking at his watch. Together the two men walked along the
street. "Look here," said McGregor. "I didn't mean to hurt you. Those
two women that came up and interfered with what we were working out
made me furious."

"Women always interfere," said the barber. "They raise hell with men."
His mind ran out and began to play with the world-old problem of the
sexes. "If a lot of women fall in the fight with us men and become our
slaves--serving us as the paid women do--need they fuss about it? Let
them be game and try to help work it out as men have been game and
have worked and thought through ages of perplexity and defeat."

The barber stopped on the street corner to fill and light his pipe.
"Women can change everything when they want to," he said, looking at
McGregor and letting the match burn out in his fingers. "They can have
motherhood pensions and room to work out their own problem in the
world or anything else that they really want. They can stand up face
to face with men. They don't want to. They want to enslave us with
their faces and their bodies. They want to carry on the old, old weary
fight." He tapped McGregor on the arm. "If a few of us--wanting with
all our might to get something done--beat them at their own game,
don't we deserve the victory?" he asked.

"But sometimes I think I would like a woman to live with, you know,
just to sit and talk with me," said McGregor.

The barber laughed. Puffing at his pipe he walked down the street. "To
be sure! To be sure!" he said. "I would. Any man would. I like to sit
in the room for a spell in the evening talking to you but I would hate
to give up violin making and be bound all my life to serve you and
your purposes just the same."

In the hallway of their own house the barber spoke to McGregor as he
looked down the hallway to where the door of the black eyed girl's
room had just crept open. "You let women alone," he said; "when you
feel you can't stay away from them any longer you come and talk it
over with me."

McGregor nodded and went along the hallway to his own room. In the
darkness he stood by the window and looked down into the court. The
feeling of hidden power, the ability to rise above the mess into which
modern life had sunk that had come to him in the park, returned and he
walked nervously about. When finally he sat down upon a chair and
leaning forward put his head in his hands he felt like one who has
started on a long journey through a strange and dangerous country and
who has unexpectedly come upon a friend going the same way.




CHAPTER IV


The people of Chicago go home from their work at evening--drifting
they go in droves, hurrying along. It is a startling thing to look
closely at them. The people have bad mouths. Their mouths are slack
and the jaws do not hang right. The mouths are like the shoes they
wear. The shoes have become run down at the corners from too much
pounding on the hard pavements and the mouths have become crooked from
too much weariness of soul.

Something is wrong with modern American life and we Americans do not
want to look at it. We much prefer to call ourselves a great people
and let it go at that.

It is evening and the people of Chicago go home from work. Clatter,
clatter, clatter, go the heels on the hard pavements, jaws wag, the
wind blows and dirt drifts and sifts through the masses of the people.
Every one has dirty ears. The stench in the street cars is horrible.
The antiquated bridges over the rivers are packed with people. The
suburban trains going away south and west are cheaply constructed and
dangerous. A people calling itself great and living in a city also
called great go to their houses a mere disorderly mass of humans
cheaply equipped. Everything is cheap. When the people get home to
their houses they sit on cheap chairs before cheap tables and eat
cheap food. They have given their lives for cheap things. The poorest
peasant of one of the old countries is surrounded by more beauty. His
very equipment for living has more solidity.

The modern man is satisfied with what is cheap and unlovely because he
expects to rise in the world. He has given his life to that dreary
dream and he is teaching his children to follow the same dream.
McGregor was touched by it. Being confused by the matter of sex he had
listened to the advice of the barber and meant to settle things in the
cheap way. One evening a month after the talk in the park he hurried
along Lake Street on the West Side with that end in view. It was near
eight o'clock and growing dark and McGregor should have been at the
night school. Instead he walked along the street looking at the ill-
kept frame houses. A fever burned in his blood. An impulse, for the
moment stronger than the impulse that kept him at work over books
night after night there in the big disorderly city and as yet stronger
than any new impulse toward a vigorous compelling march through life,
had hold of him. His eyes stared into the windows. He hurried along
filled with a lust that stultified his brain and will. A woman sitting
at the window of a little frame house smiled and beckoned to him.

McGregor walked along the path leading to the little frame house. The
path ran through a squalid yard. It was a foul place like the court
under his window behind the house in Wycliff Place. Here also
discoloured papers worried by the wind ran about in crazy circles.
McGregor's heart pounded and his mouth felt dry and unpleasant. He
wondered what he should say and how he should say it when he came into
the presence of the woman. He wished there were some one to be hit
with his fist. He didn't want to make love, he wanted relief. He would
have much preferred a fight.

The veins in McGregor's neck began to swell and as he stood in the
darkness before the door of the house he swore. He stared up and down
the street but the sky, the sight of which might have helped him, was
hidden from view by the structure of an elevated railroad. Pushing
open the door of the house he stepped in. In the dim light he could
see nothing but a form sprang out of the darkness and a pair of
powerful arms pinned his hands to his sides. McGregor looked quickly
about A man huge as himself held him tightly against the door. He had
one glass eye and a stubby black beard and in the half light looked
sinister and dangerous. The hand of the woman who had beckoned to him
from the window fumbled in McGregor's pockets and came out clutching a
little roll of money. Her face, set now and ugly like the man's,
looked up at him from under the arms of her ally.

In a moment McGregor's heart stopped pounding and the dry unpleasant
taste went out of his mouth. He felt relieved and glad at this sudden
turn to the affair.

With a quick upward snap of his knees into the stomach of the man who
had held him McGregor freed himself. A swinging blow to the neck sent
his assailant groaning to the floor. McGregor sprang across the room.
In the corner by the bed he caught the woman. Clutching her by the
hair he whirled her about. "Hand over that money," he said fiercely.

The woman put up her hands and plead with him. The grip of his hands
in her hair brought the tears to her eyes. She thrust the roll of
bills into his hands and waited, trembling, thinking he intended to
kill her.

A new feeling swept over McGregor. The thought of having come into the
house at the invitation of this woman was revolting to him. He
wondered how he could have been such a beast. As he stood in the dim
light thinking of this and looking at the woman he became lost in
thought and wondered why the idea given him by the barber, that had
seemed so clear and sensible, now seemed so foolish. His eyes stared
at the woman as his mind returned to the black-bearded barber talking
on the park bench and he was seized with a blind fury, a fury not
directed at the people in the foul little room but at himself and his
own blindness. Again a great hatred of the disorder of life took hold
of him and as though all of the disorderly people of the world were
personified in her he swore and shook the woman as a dog might have
shaken a foul rag.

"Sneak. Dodger. Mussy fool," he muttered, thinking of himself as a
giant attacked by some nauseous beast. The woman screamed with terror.
Seeing the look on her assailant's face and mistaking the meaning of
his words she trembled and thought again of death. Reaching under the
pillow on the bed she got another roll of bills and thrust that also
into McGregor's hands. "Please go," she plead. "We were mistaken. We
thought you were some one else."

McGregor strode to the door past the man on the floor who groaned and
rolled about. He walked around the corner to Madison Street and
boarded a car for the night school. Sitting in the car he counted the
money in the roll thrust into his hand by the kneeling woman and
laughed so that the people in the car looked at him in amazement.
"Turner has spent eleven dollars among them in two years and I have
got twenty-seven dollars in one night," he thought. He jumped off the
car and walked along under the street lights striving to think things
out. "I can't depend on any one," he muttered. "I have to make my own
way. The barber is as confused as the rest of them and he doesn't know
it. There is a way out of the confusion and I'm going to find it, but
I'll have to do it alone. I can't take any one's word for anything."




CHAPTER V


The matter of McGregor's attitude toward women and the call of sex was
not of course settled by the fight in the house in Lake Street. He was
a man who, even in the days of his great crudeness, appealed strongly
to the mating instinct in women and more than once his purpose was to
be shaken and his mind disturbed by the forms, the faces and the eyes
of women.

McGregor thought he had settled the matter. He forgot the black-eyed
girl in the hallway and thought only of advancement in the warehouse
and of study in his room at night. Now and then he took an evening off
and went for a walk through the streets or in one of the parks.

In the streets of Chicago, under the night lights, among the restless
moving people he was a figure to be remembered. Sometimes he did not
see the people at all but went swinging along in the same spirit in
which he had walked in the Pennsylvania hills. He was striving to get
a hold of some elusive quality in life that seemed to be forever out
of reach. He did not want to be a lawyer or a warehouseman. What did
he want? Along the street he went trying to make up his mind and
because his was not a gentle nature his perplexity drove him to anger
and he swore.

Up and down Madison Street he went striding along, his lips muttering
words. In a corner saloon some one played a piano. Groups of girls
passed laughing and talking. He came to the bridge that led over the
river into the loop district and then turned restlessly back. On the
sidewalks along Canal Street he saw strong-bodied men loitering before
cheap lodging houses. Their clothing was filthy with long wear and
there was no light of determination in their faces. In the little fine
interstices of the cloth of which their clothes were made was gathered
the filth of the city in which they lived and in the stuff of their
natures the filth and disorder of modern civilisation had also found
lodging.

On walked McGregor looking at man-made things and the flame of anger
within burned stronger and stronger. He saw the drifting clouds of
people of all nations that wander at night in Halstead Street and
turning into a side street saw also the Italians, Poles and Russians
that at evening gather on the sidewalks before tenements in that
district.

The desire in McGregor for some kind of activity became a madness. His
body shook with the strength of his desire to end the vast disorder of
life. With all the ardour of youth he wanted to see if with the
strength of his arm he could shake mankind out of its sloth. A drunken
man passed and following him came a large man with a pipe in his
mouth. The large man did not walk with any suggestion of power in his
legs. He shambled along. He was like a huge child with fat cheeks and
great untrained body, a child without muscles and hardness, clinging
to the skirts of life.

McGregor could not bear the sight of the big ungainly figure. The man
seemed to personify all of the things against which his soul was in
revolt and he stopped and stood crouched, a ferocious light burning in
his eyes.

Into the gutter rolled the man stunned by the force of the blow dealt
him by the miner's son. He crawled on his hands and knees and cried
for help. His pipe had rolled away into the darkness. McGregor stood
on the sidewalk and waited. A crowd of men standing before a tenement
house started to run toward him. Again he crouched. He prayed that
they would come on and let him fight them also. In anticipation of a
great struggle joy shone in his eyes and his muscles twitched.

And then the man in the gutter got to his feet and ran away. The men
who had started to run toward him stopped and turned back. McGregor
walked on, his heart heavy with the sense of defeat. He was a little
sorry for the man he had struck and who had made so ridiculous a
figure crawling about on his hands and knees and he was more perplexed
than ever.

       *       *       *       *       *

McGregor tried again to solve the problem of women. He had been much
pleased by the outcome of the affair in the little frame house and the
next day bought law books with the twenty-seven dollars thrust into
his hand by the frightened woman. Later he stood in his room
stretching his great body like a lion returned from the kill and
thought of the little black-bearded barber in the room at the end of
the hall stooping over his violin, his mind busy with the attempt to
justify himself because he would not face one of life's problems. The
feeling of resentment against the man had gone. He thought of the
course laid out for himself by that philosopher and laughed. "There is
something about it to avoid, like giving yourself up to digging in the
dirt under the ground," he told himself.

McGregor's second adventure began on a Saturday night and again he let
himself be led into it by the barber. The night was hot and the
younger man sat in his room filled with a desire to go forth and
explore the city. The quiet of the house, the distant rumble of street
cars, the sound of a band playing far down the street disturbed and
diverted his mind. He wished that he might take a stick in his hands
and go forth to prowl among the hills as he had gone on such nights in
his youth in the Pennsylvania town.

The door to his room opened and the barber came in. In his hand he
held two tickets. He sat on the window sill to explain.

"There is a dance in a hall on Monroe Street," said the barber
excitedly. "I have two tickets here. A politician sold them to the
boss in the shop where I work." The barber threw back his head and
laughed. To his mind there was something delicious in the thought of
the boss barber being forced by the politicians to buy dance tickets.
"They cost two dollars each," he cried and shook with laughter "You
should have seen my boss squirm. He didn't want the tickets but was
afraid not to take them. The politician could make trouble for him and
he knew it. You see we make a hand-book on the races in the shop and
that